Friday, 30 January 2015

'Tamanna' set to release worldwide in March


'Tamanna' set to release worldwide in March


Pakistan's first noir film Tamanna has been acquired by Britain-based independent distributor Mara Pictures and is set to make its international release in March, according toThe Hollywood Reporter.
Directed by renowned British director Steven Moore and produced by Sarah Tareen of Concordia Productions, Tamanna is based on Anthony Shaffer's 1970 play Sleuth and features Pakistani actors Salman Shahid, Mehreen Raheel, Faryal Gohar and Omair Rana.
"Pakistan's film industry and the art of storytelling has dwindled in the half century since partition from India [in 1947],” Tareen told The Hollywood Reporter. “Tamanna is one of a handful of films released in the last few years, in a period hailed as 'revival.' We are excited to bring Tamanna to a global audience.”
Tamanna is the story of a young man, Riz Ahmed (Omair Rana), who falls in love with the young wife (Mehreen Raheel) of the wealthy Mian Tariq Ali (Salman Shahid). The daring Riz pushes the boundaries and puts the question in front of Mian Tariq Ali, who proposes that in order to take his wife in marriage the young Riz steal some highly precious jewels that the former had brought a while ago.
The film released in Pakistan in June 2014.

Thursday, 29 January 2015

Sufi maestro Abida Parveen receives Ambassador's Recognition Award


Sufi maestro Abida Parveen receives Ambassador's Recognition Award


Diplomat Javed Malik, who is Pakistan’s Ambassador at Large currently, presented Sufi maestro Abida Parveen with an "Ambassador's Recognition Award" on Jan 26.
The accolade was given to the singer at a ceremony in Dubai where fans snapped pictures of the legend while she performed.
Parveen performed to a packed venue and received a standing ovation from the audience. Another award was also presented to Dubai-based media personality from Pakistan, Caiyad Phahad.
Speaking on the occasion, Javed Malik said: "Sufi poetry symbolises the message of peace, friendship and positive human relations, which is highly relevant today because it encourages people to overcome their differences and promotes understanding through dialogue."
He added: "As Pakistanis, we feel proud to see Abida Parveen acclaiming international fame for herself and our country, and therefore we present her this special award.”
Praising the spectacular way in which Abida Parveen has distinguished herself as a music icon of modern times through her unique style and genre of music, Javed remarked that Pakistan’s social fabric was rich with poetry, art, literature and music.
Abida Parveen is one of the foremost exponents of Sufi music and has received many awards in her long career, including Pakistan's second highest civilian award Hilal-i-Imtiaz.

Young entrepreneurs: Small beginnings



When 40-year-old Salma Bai wanted to set up her own tea shop in Faisalabad, her main worry was obtaining the capital that was required to start an entrepreneurial venture. She had been supplying snacks to a tea shop at discounted rates since her husband’s death and realising her niche, had decided to establish her own tea shop. Fortunately, she met a female microfinance field officer who guided her to apply for a small group loan through a microfinance bank, instead of a hefty credit line, which would be sufficient enough to kick-start her business. “The banker advised me to first repay my previous loans and then apply for larger amounts gradually, till I could afford a hefty individual loan needed to expand my business,” Salma explained.
Salma followed the officer’s advice, and today she owns a well-established tea shop which she runs with her sons and offers exclusive catering services to as many as 10 clients per month. “Hopefully, with my savings and monthly profits, I would be free of loans soon,” she says.
Microfinance, a source of monetary services for entrepreneurs, has a great potential to increase women’s access to a wide range of simple financial products and services like microcredit, Karobar Qarz, insurance products and Ibtida-i-Karobar Qarz. It bridges the gender gap in the workforce, increases productivity, and creates employment opportunities for semi-literate or illiterate women, thus leading to better living conditions.

Microfinance schemes are giving women a chance to explore their entrepreneurial skills


Salma isn’t the only woman who changed her life through entrepreneurship with the help of microfinance. Rehana, 50, earns her living by supplying 400 hand-made dolls per week to a contractor in a small town of Ghotki district. She has even employed 10 to 12 women from the neighbourhood, introducing social capitalism in the ecosystem. “I took loan from a microfinance bank and bought raw materials to stitch dolls. I repaid and applied for a second loan in a group. Since then, I’ve employed a few women to help because the demand has increased steadily. This way, their financial conditions have improved, while my business continues to grow,” she said.
Salma and Rehana are examples of a very small, budding segment of women entrepreneurs in Pakistan. Women entrepreneurship is crucial for our country’s economic growth and social inclusion agenda; however, the first and the most challenging step towards starting a business remains access to finance. This is where the role of micro-financing institutes (MFIs) and microfinance providers (MFPs) becomes extremely important.
Nadeem Hussain, Board Member of Pakistan Microfinance Network (PMN), an organisation which supports retail microfinance providers, and CEO Tameer Bank, is a strong supporter of women empowerment via microfinance. He explained, “MFPs make it easier for women to obtain loans through various financial products. They can benefit from group-lending structures to take loans independently without involving male members. Group-lending enables women to become each other’s guarantors. They support and motivate each other to make profits and repay their loans on time.”
Though Salma and Rehana were fortunate in the sense that they could accomplish their goals through micro-financing, the picture isn’t all rosy and the microfinance sector is not without some grave downsides. The World Bank Report, Are Pakistan’s Women Entrepreneurs Being Served by Microfinance Sector?, published in 2013 shows strikingly low figures for women entrepreneurs and a limited outreach of microfinance to females who need it. Less than one per cent women have established businesses as compared to 8.4pc of men and only 3.4pc of women own a start-up as compared to 14.4pc of men. It states that only 5.5pc of women have access to banking facilities as against 21.1pc of men, while out of 15.6pc of total female labour force, only 0.1pc fall under “employers” category. MFP clients commonly start their business with Rs10,000 to Rs30,000.
One serious drawback is that women borrowers often pass their loans to male family members and are usually not the end beneficiaries of the capital. It is estimated that at least 50pc of women borrowers pass their loans to male family members, and there are no measures to keep a track of the finance.
“We don’t provide loans, but improve women’s income and social status by providing them training in first aid and veterinary services for rudimentary livestock ailments so they can boost their livestock productivity; we believe that skills can take them much farther than money, ensuring sustainable growth. So far, we have trained 300 village women who charge for their skills and services, and earn their living,” said Monezza Ahmed from Engro Foundation.

Published in Dawn, Sunday Magazine, January 25th, 2015

Wednesday, 28 January 2015

Photography show explores beauty of Walled City



LAHORE: Alhamra Art Centre, The Mall, was a happening place on Monday where a four-day pulsating exhibition of photographs titled ‘Wekh Lahore’ was held, featuring some foremost themes such as street life, architecture and monuments.
The exhibition, a yearly feature of Lahore’s cultural calendar, was organized by the Walled City of Lahore Authority (WCLA), in collaboration with the Photographic Society of Pakistan, Lahore Photography Club and Lahore Arts Council.
This camera happy show was not only an exhibition but also a competition among photographers in various categories. The show had a good amalgamation of performing arts as two vocalists and one instrumentalist also performed on the occasion.
Singer Jawad Ahmed and folk singer Saien Muhammad Ali also performed on the occasion.
The exhibition was inaugurated by WCLA Director General Kamran Lashari along with other notables of the city. An award ceremony was also part of the event that was detached from the exhibition venue in Alhamra Hall-3. The hall was full to capacity as the relatives and friends of winners had gathered there in a fairly good numbers.
Cash prizes were given in all the three major categories -- Street Life, Architecture and Monuments to those who stood first (Rs40,000), second (Rs30,000) and third (Rs20,000). Besides, cash prizes, the winners were also given certificates, shields and cell phones from a leading cellular company.
In the Street Life category Amna Yasin won the first prize, Hasan Ahmad bagged the second and Sher Ali got the third prize. In the Architecture category first prize was won by Junaid Ahmed, second by Abdul Rafay and third by Armughan Nishat.
In the Monuments category, first prize was bagged by Husain Mehmood, second by Sher Muhammad and third by Muhammad Ali.
Each of the 20 top photographers were given a USB drive.
WCLA spokeswoman Taniya Qureshi told the media that the authority had received 600 photograph entries, out of which the jury selected 350 photographs to be put on display. The jury comprised Azhar Hafiz, Amin Ghani, Nadeem Khawar and Razaq Vamce.

Published in Dawn January 27th, 2015

Tuesday, 27 January 2015

Samsung offers $7.5bn to take over BlackBerry



NEW YORK: Samsung Electronics recently offered to buy BlackBerry Ltd for as much as $7.5 billion, seeking its valuable patents as it battles Apple in the corporate market, according to a person familiar with the matter and documents seen by Reuters.
South Korea’s Samsung proposed an initial price range of $13.35 to $15.49 per share, representing a premium of 38 per cent to 60pc over BlackBerry’s current trading price, the source said on Wednesday.
Representatives from the two companies, which are working with advisers, met last week to discuss a potential transaction, the source said, asking not to be identified because the conversations are private.
The Waterloo, Ontario-based company said in a statement that it “has not engaged in discussions with Samsung with respect to any possible offer to purchase BlackBerry”. Shares of BlackBerry, which soared nearly 30pc following the Reuters report, fell back about 15pc in after-hours electronic trading following the statement.
Separately on Wednesday, Canadian newspaper Globe and Mail reported BlackBerry has shunned a handful of takeover overtures in recent months as its board and largest investor think its restructuring strategy will deliver greater shareholder value than current acquisition offers.
The board believes offering prices, some in excess of $7bn, fall well below BlackBerry’s potential asset value in the next few years, according to the Globe and Mail report.
Blackberry, a one-time investor darling that pioneered smart phones, has regained some of its lost swagger under Chief Executive John Chen, who is leading a bid to regain market share it has lost to Apple Inc, Google Inc and Samsung.
CORPORATE MARKET: “BlackBerry is in such transition today, so any investment has been a bet on the future, so at this point Samsung is cutting in before that full future becomes a reality,” said Morningstar analyst Brian Colello.
Samsung’s strength as the no. 1 global smart phone marker has been built on making devices for the consumer market, which has become crowded in recent years. With a takeover of Blackberry, Samsung could make greater inroads into the corporate market, where it has trailed rivals.
“How many Samsung phones do you see in offices? This would be Samsung’s chance to get into the enterprise,” said BGC Partners analyst Colin Gillis.
Any tie-up with Samsung would require the blessing of Prem Watsa, whose Fairfax Financial Holdings Ltd is a major Blackberry shareholder. Fairfax helped bankroll a debt recapitalization that led to Chen’s arrival in November 2013 as CEO. Paul Rivett, president of Watsa’s Fairfax Financial Holdings, declined to comment.
The bid would also face regulatory scrutiny in both Ottawa and Washington. Under Canadian law, any foreign takeover of BlackBerry would require government approval under the Industry Canada Act.
BlackBerry’s secure networks manage the email traffic of thousands of large corporate customers, along with government and military agencies across the globe.
Samsung and its advisers also anticipate a complex approval process at the Committee on Foreign Investment in the United States (CFIUS), which reviews deals for national security implication, the documents reviewed by Reuters show.

Published in Dawn January 24th , 2015

Monday, 26 January 2015

The reinvention of Faisal Qureshi




After a three-month chase, I finally met Faisal Qureshi on the sets of a play, the title of which has not been finalised yet. As I sat waiting for him in a small room, he was doing a scene in the other room where he was yelling at someone on top of his voice.
Moments later, Faisal appeared, dressed in a shiny shalwar kameez and sporting his trademark boyish grin, hair in waves, sans the ‘Bashar beard’ and moustache. He settled down with a cigarette, requesting one of the fellows around him for green tea. Smoking? Wasn’t he a health and fitness freak? “Aik he to buri aadat hai,” he said with a twinkle in his eyes.
Between the chubby Boota to the dangerous-looking Bashar, Faisal has performed in a few short of a hundred TV plays, won awards and accolades, has judged a dance competition, hosted shows, breezed through Muskurati Mornings and (literally) donned another hat to sell toilet bowl cleaner with equal charisma and ease. With 22 years in showbiz up his sleeve, this most versatile actor of his time is everywhere … maybe even over-exposed?

Overworked? Maybe. Over-exposed? Heck no! At least that’s what this veteran actor thinks

“Sometimes your work is visible even if you do a couple of plays. There are some who do a dozen plays but no one ends up seeing them. If you are doing three plays every week on all the channels, that’s not overexposure because there are so many channels. But six plays on one channel, that is overexposure."
He further adds, "One can’t help it if producers only want popular stars like Noman Ijaz, Reema, Atif Aslam, Fawad Khan or Ali Zafar on a show and nothing less! In the last two or three years, there have been 30 or 60 new entrants but it will take them time to mature as actors."
“As far as appearing in commercials is concerned, even in other countries I have seen celebrities do ads for not only big brands but the strangest of products like paint or chairs! Brett Lee is selling shops. That is what being a celebrity is all about plus you have to make money while you shine like a star. I think, people here make too much hoo haa about it.”
Today, Faisal looks younger and better than ever. Is it a combination of botox, workouts and diets, or is joi de vivre the secret?
“Following the advice of my very good friend Sajid bhai, I’m always trying to reinvent myself, each day of my life. These could be minute changes in my performance or in just being a human. It could be a look or a gesture, my body language or just the way I behave. Mostly I am on a strict diet and fast for days … just living on water and fruit. If the character does not require being a certain weight then I am a little easy with food.”


 Faisal feels he needs improvement in several areas of his life. “I am way behind where I should be in my personal and professional life. I read and watch movies daily, that is my real food. It can be a film from anywhere. IMDB zindabad. Then I discuss it from all angles with my friends. It is a learning process for me. I love to read. I always tell people when you read, you acquire depth. As a nation we don’t read and we cannot see the issues creeping in our society because we lack that depth.”
Sahir Lodhi may have pioneered male hosting in morning shows but Faisal seemed to have blazed the path for others to follow and TV channels became comfortable with the idea of male hosts in what was previously a female domain. “I was happily surprised when I was offered the morning show.”
Determined to reject the existing trend of morning shows, Faisal tried to introduce social issues and lighter, lifestyle-oriented content. “I used to watch breakfast TV abroad and I noticed that they would do basics like rearranging furniture, flower arrangements or simple things to start the day in a better way. I discovered that morning shows would feature just about anything for ratings, whether it is weddings or just halla gulla. I refused to do any of that. Tahir Khan and I agreed that occasionally I would do something that they would want me to do. The rest of the time, I would do stuff that I wanted to.”
For Faisal, doing a morning show was a tremendous learning experience. “I met at least four new people every day. As an actor you are often away from the ground reality but because of the morning show, I tuned in with the rest of the world.”
Faisal wanted to promote Pakistan as much as possible. “Our channels love to talk all kinds of trivia about Bollywood stars. Even if they puke or sneeze, it becomes a lead story but no one knows what is going on locally. I never know if it is Humayun Saeed’s or Shaan’s birthday, or if an actor is in the hospital.”

“Earlier I used to work for myself, but now I work for my fans. I have a responsibility to fulfill their expectations and can’t do something that will offend them. I don’t want them to say ‘yeh Faisal Qureshi ne kaisi film kardi yaar’!”


Four years later, the morning show began interfering with his drama shoots, especially ones being shot abroad. “After declining about eight plays, I felt I had to get back to being an actor even though I miss doing morning TV. It makes you disciplined although one drawback was that all my looks for upcoming plays would be revealed by being on TV every single day.”
While TV keeps Faisal on his toes, films take a back seat. “I haven’t been able to settle on a script; nothing that grabs me has come my way. Earlier I used to work for myself, but now I work for my fans. I have a responsibility to fulfill their expectations and can’t do something that will offend them. I don’t want them to say ‘Yeh Faisal Qureshi ne kaisi film kardi yaar’!”
Faisal believes that Na Maaloom Afraad (NMA) is the only hit our film industry can be credited for. “The film is being talked about on TV shows, I hear the music everywhere and it has made an impact. People want entertaining, light-hearted stuff. The public is depressed about so many issues that comedy always does well. It is one genre that works again and again."
“People see the common man from a distance and I often tell them that you will only be able to understand their problems if you travel by bus in the day and stand waiting in the heat at a bus stop. Only they know what they go through when there is not enough money at home to cook a square meal. This is the state of issues with the common man and what he needs is to be entertained with a light-hearted, comedy that sends him home smiling, not crying.
“Just look at how many comedy films are being made in Bollywood. I expect many NMA rip-offs to cash in on its success. We can make serious agenda-based films too but commercial films is what the average cine-goer wants. We have grown up on Qurbani, Kabhi Alvida na Kehna,Bandish, Aaina, Tere Ghar ke Saamne. People go to the cinema to see Indian films, but I am sure if you give them a good film, they will watch it.”
Talking about our actors experimenting with Bollywood, he said, “People have to make money too. One film in Bollywood pays more than 10 films here. Presently they might be doing what people think are unexciting roles but things will change. It is a start and gives newcomers a hope. When they are sidelined and mistreated on Indian shows, I don’t like it one bit. But how long will they treat them badly and stifle their talent? Our talent has now crossed the borders.”
The Peshawar tragedy and the situation in the country sadden him to no end. “It pains me to see what is happening in the country. People must realise their responsibilities, face reality and do something to take this country forward. We have to change the way we think.”
Faisal loves to create the appearance of his characters. “When I play a character, I put Faisal Q to sleep and bring that character to life. I experiment with different styles for my hair, beard and mustache or wear glasses. Soon I have to lose a lot of weight for an upcoming role. When I come across interesting people, I save the images in my mind for reference. People often criticise me by saying ‘Yeh daarhi kyu rakhli, shave kyun kardia…’ but I believe in doing exactly what I have to do, because acceptance comes a little later.
Talking about the plethora of plays being produced today, Faisal says, “Can anyone select 50 plays of yesteryear that they think were amazing? I can select 100 plays from the last 10 years that were remarkable. Good and bad work happens everywhere but our actors, writers and directors have made their mark today and are generating competition.”
Is he thinking of going into direction as most senior actors do?
“I have worked with a lot of people including Hassan Askari and Javed Fazil, done all kinds of work, given claps, moved trolleys, ran tracks because I love to learn. I rarely produce. I was thinking of going into direction but I have been told to stick to acting because people don’t want to lose an actor like me.”
His favourite performances include the much-acclaimed Boota, Harjaee, Man-o-Salwa, Ghost,Bashar Momin and Meri Zaat Zarra-i-Benishan.
“I have played a hero from 25 to 60 year old lead. I don’t like any of my performances. Sometimes people appreciate something a lot then I begin to think that maybe I did it a little better that people are appreciating so much.”
A character has to be challenging for Faisal to like it.
“There was a time when directors would say to me that there is this character which we want you to do because it is a difficult one to play. I looked at them and wanted to say ‘bhai jaan, kabhi koi asaan kaam bhi karwalen’! But when I did a simple role in Mera Pehla Pyar, I got a lot of flak for that. ‘App ne kyun kiya? Wo role to koi bhi karleta…’ My fan club owns me!
Neverthless, he says his wife and mother are his biggest critics. “If I go home and my play is on but they are not watching, I know I haven’t done so well.”
Can Faisal Qureshi be described in three words?
“No, you need 3,000 words,” he smiled. We certainly do.
Published in Dawn, Sunday Magazine, January 25th, 2015

Friday, 23 January 2015

Two Pakistani think-tanks ranked in global top 20



ISLAMABAD: Among 211 South Asian think-tanks included in the ‘2014 Global Go-to Think-Tank Index’, only two — the Sustainable Development Policy Institute (SDPI) and Pakistan Institute of International Affairs, have made it to the top 20.
The index was released at the University of Pennsylvania under The Think-Tanks and Civil Societies Program (TTCSP) on Thursday and included 6681 think-tanks from around the world.
192 think-tanks from India and 19 from Pakistan were included in the index however, among these 211 only two Pakistani think-tanks had the distinction of being in the top 20. Pakistan Institute of International Affairs was at 16 while SDPI was at number 19.
SDPI was ranked at 38 for being trans-disciplinary and 55 in the list of think-tanks to be watched in the future for policy reviews.
The index was launched globally and SDPI was part of the launch along with over 60 other think-tanks, inter-governmental organizations and media outlets in more than 55 cities around the world.
SDPI organised a roundtable conference to mark the occasion, attended by academicians from public and private universities, development practitioners and senior executives from the corporate sector.
Speaking at the roundtable conference, former ambassador and SDPI Board of Governors Chairman Shafqat Kakakhel attributed the SDPI’s high ranking to its independent and credible research.
He said that think-tanks play a primary role in the socio-economic development of a country by producing knowledge for decision-makers.
Mr Kakakhel said that in terms of quality of publication and policy influence among all the South Asian think-tanks only SDPIs study “Food Security in Pakistan: Policy Options” authored by Shakeel Ramay was ranked high at 30 globally.
Mr Ramay, also speaking at the roundtable, highlighted the importance of the methodology adopted in his study which made it a piece of quality research.
Participants at the roundtable were also informed that SDPI was the only think-tank among the 19 considered from Pakistan which was judged to be contributing towards developing the skills of young researchers.
It was highlighted that even universities in Pakistan are failing to realise the role of young researchers and there is need to improve linkages between think-tanks and universities for the larger interest of policy making.
Marvi Sirmed from the United Nations Development Programme (UNDP) said greater collaboration between parliamentarians and academic institutes can contribute towards the development of a mechanism for policy research.
Those who participated in the discussion also included SDPI Executive Director Dr Abid Suleri, , Professor Dr Asad Zaman, Pakistan Institute of Development Economics (PIDE) Vice Chancellor Dr Iftikhar N. Hassan, Professor, Z. A Qureshi, Seemi Kemal, Member National Assembly (MNA) Romina Khurshid Alam.

Published in Dawn, January 23rd, 2015

Thursday, 22 January 2015

'Goya' – A fast-paced, well-plotted drama



For anyone tired of the melodramas, middle-class saints, conniving women and faithless husbands that flood our screens, ARY's Goya is the ideal antidote. This intelligently scripted, fast-paced, romantic thriller is sure to keep you glued to the screen every Saturday evening.
The story revolves around Rahat and Omar Hashmi, whose dysfunctional family dynamic resembles that of a prisoner and his jailer rather than a normal loving father and son.
Rahat Hashmi (Usman Peerzada) is a powerful, incredibly wealthy man, whose word is law for his only son Omar (Osman Khalid Butt), who, as a grown man, is not allowed to decide what shirt to wear let alone who he will marry.
However, Omar's world turns upside down when he meets local reporter Mohini Mirza (Sana Javed) at an art exhibition.
It isn’t love at first sight – the lovely Ms Mohini is a strong, independent girl raised by a single working mother Asma Mirza (Farah Shah) – but very soon their love threatens the plans Rahat has already set in motion for his son. He is a ruthless adversary unencumbered by affection or conscience in his quest to control his son.

Will Omar ever manage to escape his father’s grip?
This story is fast-paced, with well-plotted twists and turns that make each episode more interesting than the last. A talented cast of young faces lifts this drama even further away from the clichéd look of many dramas today.
Gohar Rasheed, Furqan Qureshi, Hira Tareen, Christina Albert and Asad Siddiqui are not just good to look at; they are well-cast, capable actors who have significant roles in the main protagonist’s lives.
Gohar Rasheed commands attention no matter what role he plays, and here he gives a short but powerful performance as Adnan Viziri, Omar’s drug addict, over-needy friend.
Similarly, Furqan Qureshi as the easygoing Ali and Christina Albert as the mysterious housekeeper Zaib-un-Nisa are all fascinating elements in a plot which seems to get deeper with each episode.
Writers Mohammad Ahmad and Yasir Rana break many stereotypes – there are no evil manipulating women as far as the eye can see.
Positive images of women are one of the many plus points of this story. Mohini and Asma are working women who neither lecture us on their saintliness nor do they threaten civilised society by refusing to make the odd roti. In fact, none of the men in this serial feel in the slightest bit threatened by these women speaking their minds or holding nine-to-five jobs.
Sana Javed is a delight, proving what a versatile actress she is after her popular role in Pyaray Afzal.
Normal is perhaps the unique selling point (USP) for most of the characters in this serial and Omar Hashmi is no exception. Despite his father’s wealth and arrogance, Omar is at heart a simple, caring person who uncomplainingly exchanges his car for sweaty vans and his mansion for a small apartment just to be with Mohini.
Osman Khalid Butt plays Omar with sincerity and an understatement that seemed to have been lost to Pakistani dramas for a long time. Osman is no doubt a star with a huge fan following on both sides of the border since his wildly popular role in Aunn Zara, but he never forgets he is an actor first.
Sana and Osman look great together in this first outing and their perfect chemistry is wonderful to watch.
Goya also gives a very rational perspective on drug abuse. Rather than showing abusers as lost causes rolling in their moral depravity, it shows them as flawed humans who have made very bad choices.
Senior Hashmi's choice of bride for Omar is Zara, an addict who knows right from wrong and is on her way to rehab. However, Adnan's addiction is due to deep-seated, emotional problems and eventually kills him because he doesn't have the will to change.
Despite their addictions, both Zara and Adnan have a caring and kind nature.
Like all the best dramas, Goya works because the writers and director Furukh Faiz are on the same page and share a fresh, young vision for this story.
Just like their previous collaboration Dareecha, this drama is a mix of dark and light. Their moments of intense sadness and death mixed with simple moments of laughter and fun mark real life.

Similarly, the dialogues are crisp, modern and relatable, making this one of the few thoughtful dramas to watch.

Wednesday, 21 January 2015

Media mogul Sultana Siddiqui honoured at 5th GR8! Women Awards


President of the Hum TV Network, Sultana Siddiqui was recognised for her contribution to the entertainment industry with the Scroll of Honour award at the 5th GR8! Women Awards in Dubai on January 12.

The awards are given every year by the Indian Television Academy to celebrate the outstanding contributions made by women in various fields, including art, cinema, environment, entrepreneurship and education.
“I think women in Pakistan have shown brilliance in different fields but most of the time, they are let down by society. All they need is encouragement and support from their families. At Hum TV Network, women hold key positions and they excel in their work."
"This award I think is not so much for me as it is women in Pakistan, particularly in the field of media,” she added.
Siddiqui, who is also a producer, has always been involved with projects directed towards bringing public awareness to social issues, such as female empowerment and promotion of female education.

Others who emerged as winners included Bollywood starlets Aliya Bhatt and Parineeti Chopra. Nimrat Kaur, Neil Nitin Mukesh and Surveen Chawla also attended the affair held at Sofitel Dubai.
Hum TV shared the news via Twitter:

Tuesday, 20 January 2015

Here’s a shocker: our very own samosa … was never ours.


Food’s Holy Triangle


Yep, you read that right. The neatly folded, tightly packed savoury goodness that we thought belonged to South Asian soil actually travelled here all the way from Central Asia centuries ago. But thanks to its amazing social networking skills, it cleverly adapted to the local’s tastes and happily settled among its culinary brethren and became one of them.
This is one food that has travelled far and wide, and like any popular traveller has left its footprints along the way. From Egypt to Libya and from Central Asia to India, the stuffed triangle with different names has garnered immense popularity.
Originally named samsa, after the pyramids in Central Asia, historical accounts also refer to it as sanbusak, sanbusaq or even sanbusaj, all deriving from the Persian word, sanbosag.
In South Asia, it was introduced by the Middle Eastern chefs during the Delhi Sultanate rule, although some accounts credit traders for bringing the fare to this part of the world. Nevertheless, from its humble beginnings — in older days, people would cook the mince-filled triangles over campfire and eat them as snacks during travel — samosa has come a long way. And after having earned the blessings of the Indian royalty, the snack soon became food fit for the king.
Today, samosa is a popular appetiser and a snack in many parts of the world. Perhaps its biggest secret to popularity and survival over the centuries is its different varieties of fillings catering to carious tastes across the globe.
In Kazakhstan, for example, a somsa is typically baked and has a thicker, crumblier crust. Fillings generally range from minced lamb and onions, meat, and even pumpkin. The Hyderabadi luqmi, on the other hand, is strictly meat-filled and far crustier than the regular samosa consumed elsewhere in India and Pakistan. In the Middle East, the semicircular sambusak is stuffed with feta cheese, onions, minced chicken and meat, spinach, and in case of Jewish cuisine, mashed chickpeas.
But for us, samosa is the gorgeous, deep fried, twisted pack of spicy goodness that oozes with chicken, meat or potato. Few family gatherings or iftar parties are complete without this signature snack. And what does one do when guests arrive at a short notice? You guessed right. There are few snacks that couple as perfectly with tea as samosa, and the chai-samosa team is probably the reason behind thousands of brain-storming sessions and heated discussions.
Be it an evening chat with friends at the street corner khoka, or a sophisticated business meeting in an air-conditioned room, the call for a samosa remains a constant. What can be better than biting into a hot, karahi-fried, chutney-coated snack, inhaling in its herb-essenced scent, munching on spicy, meat / vegetable filling, crunching on a coriander seed, tasting that teasing taste of ginger-garlic … you get the picture.
The diet conscious — and to be fair, the health conscious, too — would sigh, and perhaps nibble at the tiny piece of the crisp pastry to satisfy their craving. Not that you can blame them; who would have thought that one serving of potato-filled samosa is laden with around 300 calories? Even those tiny, bite-size ones have 28 calories each. And we have all discovered much to our dismay that it’s impossible to stop at one. One bite a time, and before you know it, you’ve covered half your calorie quota for the day with just two samosas!
When I was studying at university, one of our favourite pastimes would be to hang around a canteen that serves — and I stand by it — the best samosas on the face of this earth. But for me, the most fascinating aspect was watching workers at the canteen fill those samosas. In one fluid movement, they would flip a samosa patti into an inverted cone, fill the pocket with stuffing, and flip the patti over to form a smooth bulging triangle.
Encouraged by how easy it looked, I decided to try it at home, only to discover that the art of samosa-making is no mean task. Rest assured, my respect for the workers increased multi-fold.
But for those, who are willing to toil and master the art, the varieties they can experiment with knows no limits. From the regular, meat/potato stuffing to spinach, corn and peas, to sweet halwa or coconut filling, the list is endless. The adventurous few may even want to foray into seafood samosas. Just dip them into chutney of your choice (those who even imagine samosas with ketchup, please reassess your priorities), and savour the taste that has weaved its magic forever.
Published in Dawn, Sunday Magazine, January 18th, 2015

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Friday, 16 January 2015

Remembering the Pride of Pakistan: Arfa Karim



Today marks the third death anniversary of pride of our country Arfa Karim Randhawa. The Microsoft Certified Professional died on 14th January 2012 at a young age of 16.
We live in a part of the world that is called a men dominating society. Girls really need great courage and guts to live up to their dreams if they want to change the shape of the world. Even in these tough circumstances Pakistani women have always astonished the world by thinking out of the box in their limited sources. Among these emblems of progress and prosperity was Arfa Karim Randhawa the pride of the nation.
The girl who brought the name of Pakistan in upfront of the world left everyone awestruck by becoming world’s youngest Microsoft Certified Professional at an early age of 9 was born in Faisalabad on 2nd February 1995. Arfa was one unique and brilliant child met and impressed the Microsoft executives including the founder Bill Gates after earning the world’s youngest MCP title. Arfa won the MCP title in 2004 and kept that until 2008.
The computer genius was fighting with epileptic stroke and cardiac arrest that damaged her brain when she was admitted to the hospital in December 2011. The 16-year-old girl stayed in coma for 26 days and died on 14th January 2012.
The computer prodigy Arfa Karim who represented Pakistan around the world with her incredible skills aptitude had received many honorable national and international awards for her contributions. She was honored with Fatima Jinnah GOLD Medal from the then Prime Minister of Pakistan and she was also the youngest recipient of President’s award for Pride of Performance.

The girl who plunged the entire nation into grief by her early demise will live forever as a pride of Pakistan.